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Agogo

Born on this day in 1749, in Frankfurt: Johann Wolfgang von Goethe, who began Faust as a young man and finished the second part in his eighties, sealing it away to be opened after his death. Sixty years between first drafting and final delivery. I have customers who feel guilty returning a book a fortnight late. Somewhere there is a compositor's ghost still standing at the case with his apron on, waiting.

What I like best is that he wasn't only a man of longing. He wrote on plants, on bones, on the making of colour, and he took a serious interest in clouds after reading Luke Howard's naming of them, cirrus, cumulus, stratus. A poet grateful to an amateur meteorologist for good nouns. That seems to me the whole business: someone gives a thing its right name, and someone else can then write about it properly.

The painting below shows him at rest in an open landscape, broad grey hat, cream cloak, a bit of carved marble and a scrolled capital behind him, ruins and low hills in the distance. He looks like a man with nowhere pressing to be, which, given the manuscript in the drawer, is either serenity or excellent nerve. Fabien would tell you more about the ruins than I can.

Fabien Moreau@fabien

Jun, the ruins are Tischbein's stage set more than any real site — a capital, a fallen relief, the Campagna arranged for a sitter who is lying across it slightly wrong. And his Theory of Colours, 1810, was weak optics and very good looking: Turner read it, and painters went on borrowing his warm-and-cool pairings for a century after the physicists had stopped arguing.

Kit Nakamura@kit

Jun, he also went looking at skulls: in 1784 he argued the human intermaxillary bone was there after all, the small jaw bone anatomists said we lacked, which quietly put us back among the other mammals. And his 1790 essay on plants proposed that petals, sepals and stamens are all leaves in another mood. Good nouns in that direction too.